Audemars Piguet CODE 11.59 self-winding
Launch of Audemars Piguet CODE 11.59 self-winding and self-winding chronograph with lacquered dial The controversial CODE 11.59 series also uses a new dial and a new case treatment.
To say that CODE 11.59 first appeared in the mixed comment, it said nothing. Although many enthusiasts are impressed with the technical firepower on display, the series uses many new movements, including AP’s first internal self-winding chronograph movement, as well as the exquisite case construction and high-level craftsmanship of the entire dial, especially In a simpler model, it is very fragmented. However, the CODE 11.59 collection will not be everywhere. Audemars Piguet has long been committed to this series, as a sign of this commitment, and said that the series will continue to develop, AP has just released the latest version of CODE 11.59 automatic winding and automatic winding chronograph. These have five new sunrise paints,
In terms of historical production, it is relatively rare to use two gold alloys to make a two-tone box (although of course, we use the two-tone structure more frequently in the Royal Oak and Royal Oak offshore areas), including reference number 5402SA and reference number 15400). According to the Associated Press file, the company produced 550 complex watches between 1882 and 1969 (the number needs to be considered relatively small; the total number of employees of the company did not exceed 30 until 1950, and only until the 1970s (More than 100 people), only eight kinds combine two kinds of gold. Of course, there are two-tone watches including gold and steel, including ref. 1533 was the basis of this year’s [Re] Master chronograph, but the use of two different types of gold is much less. Among all AP products before 1970, there was only one watch combining white gold and rose gold.
I think one of the problems with the original CODE 11.59 time-limited watch is that the dial is somewhat damaged compared to the case. Although the case architecture has adapted some habits for AP long-term enthusiasts, especially for those who have recently entered the brand and passed Royal Oak, Offshore and various iterations of these models (and I think some AP fans will never get used to it), Especially if you have the opportunity to take a look at these cases in person, you will not have any gain on the quality of the structure and the extremely elaborate manual modification of these cases. The dial and the jewel-like shimmer on the case, the solid structure of the movement and the charming visual effect created by the hyperbolic crystal form a sharp contrast.
Moreover, despite AP’s best efforts to explain the complexity of the dial structure and the technical challenges that must be overcome, there are still many – not a unified front, not that AP fans have ever unified on anything, but many – who feels that there is only a time model The original dial design needs to be improved. (By the way, I should point out that digital fonts are not new to AP; it can be seen in the 5528-minute repeater that came out in 1528).
But many people think that only the original dial design of the time model needs to be improved. (By the way, I should point out that digital fonts are not new to AP; it can be seen in the 5528-minute repeater that came out in 1528). But many people think that only the original dial design of the time model needs to be improved. (By the way, I should point out that digital fonts are not new to AP; it can be seen in the 5528-minute repeater that came out in 1528).
The new model is not the first, nor is it the only CODE 11.59 model with a color gradient dial or a more complex dial. The minute repeater timepiece at launch has a blue gradient dial, as is the self-winding tourbillon. Of course, there are also skeletonized tourbillon models, and the perpetual calendar has a lovely blue Tanglin dial. I think the Associated Press may realize that the use of dial processing can provide a greater sense of visual depth, which may give a distinctive impression to the flat dial of the less complicated launch model, so the company released a Like what’s coming – the limited edition of the Bolshoi Ballet with a large feu enamel dial in blue gradient.
Audemars Piguet case design
The CODE 11.59 case adopts the most unusual structure-the octagonal case in the middle (the visual connection connects the series to the Genta heritage and the octagonal bezel of Royal Oak) is a separate part, and the lugs are only attached to The upper part of the case; the lugs cling to the bottom cover with a slight gap. Overall, the watch seems to hang on the lugs. Because the gap is small, the effect is very subtle, but if you look closely, this is definitely obvious. I have seen the chances of these cases with my own eyes, and it is difficult to finish the surface treatment well. Whether the design is your vodka brand,
These are applied manually and in many respects are similar to the manual finishing techniques on advanced watch movements. The shell is quite thick, but I think the thickness is intentional because it provides a larger canvas for showing different polishing methods. After all, if AP wants to make an ultra-thin watch, it has this ability-its ultra-thin watch is an indispensable and interesting part of its heritage-but in this case, obviously there must be an obvious building Features. The Royal Oak is known for its revolutionary stainless steel treatment, but at least in terms of complexity and quality, the CODE 11.59 case is easily comparable to its 1970s stable case.
Although it’s tempting and natural to view AP’s anomalous case design as starting with the idea that it ends more or less with Royal Oak, the company has been producing cases that go far beyond the scope of traditional cases for years – in fact, almost Since the moment they made any type of watch. In fact, the birth of a watch is directly related to the invention of the unusual shape of the case or what we think is unusual today.
I always think that the most challenging part of watch design is the lugs, especially if the watch is round. The transition from the case to the lugs affects everything-the way of processing affects not only the look of the watch, but also the feeling of wearing it on the wrist. The fact that the watch must be connected to the farthest end of the human upper limb means that the connection must be strong, so the case of various geometric shapes became part of the early history of the first real watch and the first real watch. Audemars Piguet watches came out almost immediately. In addition to the strict geometry of the linear case, once the technical problem of fixing the round or oval watch is solved (and the invention of the spring bar largely solves this problem), the linear geometry in the case provides A chance to deviate greatly from the autocracy of the round case. AP has done this in most of its history-perhaps not the only one, but it has been consistent.
Usually, the crystal of a watch is something that will disappear-we usually judge the quality of the crystal according to the invisibility of the crystal, and let us experience the dial without hindrance. The exception is that most watches use crystal as an extension of the case, and the most obvious example is a watch with a sapphire case. I can’t think of another modern watch. In the design of this watch, at first glance, it seems to be a traditional round crystal. The creation of this special optical effect is part of the design of the watch. The hyperboloid in the CODE 11.59 series Crystal was a little disturbing at first. When you look directly at the watch, its unusual geometry is invisible, but when viewed from an angle, you get a very striking layering effect-people think of the row of seats in a Roman or Greek amphitheatre.
In the entry-level model, the effect is somewhat reduced due to the flatness of the dial, but in the new lacquer gradient model, you will get a greater sense of depth and three-dimensionality. In turn, this means that there is a better sense of continuity in all aspects of the watch – the surface treatment of the dial, case and movement seems to be more. This even extends to a tighter connection between the case decoration and the movement decoration-in fact, of all the new models, I think the most attractive is the two-tone model.
In terms of overall visual effects, the new movement is very suitable for the entire series. I think they work particularly well with the combination of white and rose gold cases-of course, you can use both a chronograph and a chronograph-only tourbillon, or a combination of case and mechanism on a mirror polished and brushed surface, They seem to be linked to each other and to other aspects of the design, and it is much better to use the new gradient dial model. replica watches best
A small change can make a big difference. In my opinion, the new CODE 11.59 dial embosses the advantages of the design, and also bridges the case, movement, dial and crystal, which is also the same in its optical design as any other part of the watch. -May be weakened by the low-profile dial of the launch watch (again, only in the automatic winding and automatic winding chronograph models; high complexity is another matter and should be discussed separately).
It is too early to judge the successful collection of CODE 11.59. However, I think it is too early to judge failure. Against the background of the larger design of Audemars Piguet, this series of cases inherits a long and complex tradition of innovation. In a larger range of movement manufacturing, this series also has a long and complex watchmaking tradition. These latest versions of the CODE 11.59 series do not do much in terms of design or technical innovation in terms of launch models, but the new lacquered gradient dial is like a plug inserted into the socket-the real action of the mechanical devices on both sides is, but if Without the spark of contact, nothing will come true. It will be the most interesting to see the series that AP follows, it obviously represents not only considerable capital resource expenditures, but also considerable creativity. The simpler launch model may not have fully landed, but then, the first reusable SpaceX booster did not. We all know that today they not only achieved their goals, but also exceeded expectations in all aspects. Sometimes, it takes a while for big ideas to fulfill their promises, especially when they live in public; it is interesting where the AP will receive the collection next. The first batch of SpaceX reusable boosters did not exist, and we all know that today, they not only achieved their goals, but also exceeded expectations in every aspect. Sometimes, it takes a while for big ideas to fulfill their promises, especially when they live in public; it is interesting where the AP will receive the collection next. The first batch of SpaceX reusable boosters did not exist, and we all know that today, they not only achieved their goals, but also exceeded expectations in every aspect. Sometimes, it takes a while for big ideas to fulfill their promises, especially when they live in public; it is interesting where the AP will receive the collection next.
CODE 11.59 automatic winding 41 mm and automatic winding chronograph 41 mm models, with gradient lacquer dial: case, full line 41 mm, white gold, rose gold or rose gold case with white gold upper and lower end. Both the self-winding and self-winding chronograph models are waterproof to 30m. The gradient paint plate has five colors; the front is hyperbolic sapphire crystal and the back is flat sapphire crystal. Movement: self-winding movement, AP in model 4302, balance bridge, adjustable mass scale with free suspension, 14 lignes / 32mm, 28,800 vph, 32 jewels running and 70-hour power reserve; automatic Winding chronograph model, AP internal automatic chronograph movement 4401, 14 lignes / 32mm, column wheel with balance bridge and freesprung adjustable mass balance wheel, 28,800 vph, running 40 jewels, 70-hour power reserve. fake luxury quartz watches